Artist Gustave Moreau painted ‘The Apparition’, also known as the ‘Dance of Salome’, in 1874-76. The oil painting is a depiction of the biblical legend of Salome, in which Herod’s step daughter Salome requests the beheading of John the Baptist to please her unruly mother Herodias.
Pompeo Girolamo Batoni (25 January 1708 – 4 February 1787) was an Italian painter whose style incorporated elements of the French Rococo, Bolognese classicism, and nascent Neoclassicism.
Batoni aimed at overcoming the excesses and frivolities of the Rococo by taking inspiration in classical antiquity and in the work of artists such as Nicolas Poussin, and especially Raphael. As such he was a precursor of Neoclassicism.
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Bernardo Bellotto (c. 1721/2 – 17 October 1780) was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedute of European cities (Dresden, Vienna, Turin and Warsaw). He was the pupil and nephew of Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto. In Germany and Poland, Bellotto called himself by his uncle's name, Canaletto.
Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of vedute, may have used the camera obscura in order to achieve superior precision of urban views.
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