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International Shipping of Artwork - Example USA

19/4/2015

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Post by Otto Rapp
Shipping your artwork has presently been discussed in regards to upcoming exhibitions of our members and associates. I like to summarize a few things here that may be of help.

First of, it is important to pack your work properly. Here is a tip that I found useful and I had packed my work in a similar fashion before (click image to follow link) :
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How to pack your framed painting for shipping in 6 easy steps - blog post on the Tara Shipping website.
Additionally, I want to pass on this caution if you were thinking of using wood as packing material:
Avoid using wood as packing material! 
There are stringent import regulations for solid wood packing, and these regulations are international, not just US. This was most likely the case that held up our shipment from Paris to Mexico. The regulations are similar everywhere, here are the ones for the US:
Implementation of Wood Packaging Material Regulation - USDA United States Department of Agriculture Animal and Plant Health Inspection Service
Even though it says, in part: "WPM made entirely of manufactured wood material (e.g., particleboard, plywood, oriented strandboard),wine and whiskey barrels, and WPM with a thickness of 6 mm or less are exempt from the treatment and marking requirements." - I would sooner not take a chance and preferably use something other than wood.
additional information:
Import and Export Requirements for Wood Packaging Material (WPM) into the U.S. 

Customs

Contents as Artworks are Duty-Free under Article HTSUS-9701
the abbreviation HTSUS means:  Harmonized Tariff Schedule of the United States
for more info read Works of Art, Collector’s Pieces, Antiques, and Other Cultural Property


For further research, I suggest looking at this, because this is what HTSUS-9701 is based on:
UNESCO Agreement on the  Importation of Educational, Scientific and  Cultural Materials, with Annexes A  to E and Protocol annexed 1950 
- scroll to Annex B - Works of art and collectors' pieces of an  educational, scientific or cultural  character. 

You find additional information, specific to the US here:
 US Customs Regulations


From our colleague Bruce Rimell comes this advice about forms:
  • Three copies of an artwork  declaration similar to this one (which is the one Fedex uses). One set will cover multiple artworks I believe.
  • Three copies of a Commercial Invoice with the Insurance value of the artwork(s).
  • The following text, which should be on the Commercial Invoice. I also attach it to the package itself for absolute clarity: "Contents as Artworks are Duty-Free under Article HTSUS-9701. Please see attached Artwork Declaration."

I've done my homework about this years ago - once I learned that the sometimes wrongly given "advice" of low-balling your insurance value could get you into trouble. I had the experience before when artwork was held in customs for this very reason. 

As for Shippers, I would assume you know your local agents such as FedEx, UPS, DHL etc. and depending on were you are, the regular postal service might be cheaper, but it takes often longer, so calculate accordingly.
As a alternative, while in Canada, I had good experience with this company: GPNS Logistics  
I shipped my artwork to Austria with them for a fraction of the quote I got from FedEx; so if you are in Canada, this would be a lower cost alternative. Interestingly, my shipment arrived in Vienna via FedEx!
Untested USA and UK, whereas  Austria and Canada I used  before, and so did a few friends. You may inquire about quotes from these companies:
  • in the USA - Pak Mail Centers of America
  • in Canada - GPNS Logistics
  • in the UK - PACK & SEND Systems Pty Ltd
  • in Austria - pack&weg! Spedition und Handels GmbH
If you know of any other shipping companies that provide similar services at lower costs, like the ones above, please add particulars in the comments. I had just now written to GPNS in Canada for information if they know of any similar services (or partner firms) elsewhere in the world.

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DARK STAR – HR GIGER'S WORLD

13/4/2015

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Post by Otto Rapp
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DARK STAR – HR GIGER'S WORLD

Interview with Swiss documentary filmmaker Belinda Sallin about her new film DARK STAR – HR GIGER'S WORLD and about producing the film.
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Dark Star - the official trailer (german)
Wer ist der Künstler HR Giger? Was für ein Mensch steht hinter den furchterregenden, verstörenden, aber auch ästhetischen Gestalten und Wesen? 
Ein Film mit und über den international verehrten und umstrittenen Maler, Skulpteur, Architekten, Designer, Oscar-Preisträger und Schöpfer der ALIEN Figur.

Who is the artist HR Giger? What is this human being behind the fearsome, disturbing, but also aesthetic forms and beings?
A film with and about the internationally revered and controversial painter, sculptor, architect, designer, Oscar winner and creator of the ALIEN figure.
Dokumentarfilm "Giger's Welt" - german - pdf document from Phantastisch
more info and great links are found here: DARK STAR 


visit the page of H.R. GIGER in the VISIONARY ART HALL OF FAME
for additional material
Premiere des Dokumentarfilms über HR Giger in Anwesenheit der Regisseurin Belinda Sallin.
April 14th 2015 at 20:15
Filmcasino
Margaretenstrasse 78, 1050 Vienna, Austria
Kaufkarten reservieren: www.filmcasino.at
"Giger's work shows us, all too clearly, where we come from and where we're going". Timothy Leary
DARK STAR H R GIGER
The image links to the Facebook Invitation for the Premiere
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Exhibition Babelturm by Wessi

13/4/2015

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Post by Otto Rapp
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Exhibition Opening on Tuesday, April 21. 2015 at 7:00 PM
Duration: April 22. to May 21. 2015
Bulgarian Cultural Institute Haus Wittgenstein
1030 Wien, Parkgasse 18 - map

Wessi's page at our Visionary Art Gallery
WESSI - VISIONARY ART GALLERY
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Continuum Infinitum, video by Ben Ridgeway

12/4/2015

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Post by Otto Rapp
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For a taste of what is on the program, watch this video.
Recommended: go to FULL SCREEN!
The video is set to loop - so sit back, relax and enjoy!

Continuum Infinitum (video loop) from Ben Ridgway on Vimeo.

Resolutions available 4096x4096 (4k), 4096x2160 (super HD), 1920x1080, 1280x720
Continuum Infinitum (c) 2012 by Ben Ridgway
"Continuum Infinitum" unfolds before your eyes by revealing finer and finer details emanating from a single point. It is a meditation on the mechanics of time and space as infinite and seamless processes. The film is designed to loop so it essentially has no beginning and no end. Please download and try looping it :)
To watch at 1080p I recommend downloading it to ensure smooth playback.

REVIEWS

Magazine review: Art Ltd Magazine – Currents 2012 New Media Festival Review | 2012

CONTINUUM INFINITUM AWARDS

Experimental Animation Award: Cine Toro 2012 | Toro & Cali, Colombia, South America | 2012

INTERNATIONAL EXHIBITIONS

Projection & screening: Cine Toro 2012 | Toro & cali, Colombia, South America | 2012

Aired on Fuji TV Network | Japan | 2012

NATIONAL EXHIBITIONS

WORLD PREMIERE: Currents 2012 Digital Dome – Institute of American Indian Arts | Santa Fe, NM|2012

Large Scale Projection: The Great Wall of Oakland | Oakland, CA | 2012

Exhibit and screening: The Los Angeles Center for Digital Art (LACD) + New Media Festival LA | Los Angeles, CA


As you watch the movie for a minute or so and then look away, you will experience a mild optical illusion that feels as if everything you look at is shrinking away from you. This is caused by the motion after-effect (MAE). It is a visual illusion experienced after viewing a moving visual stimulus for a time (tens of milliseconds to minutes) with stationary eyes, and then fixating on a stationary stimulus. The stationary stimulus appears to move in the opposite direction to the original (physically moving) stimulus. The motion aftereffect is believed to be the result of motion adaptation.

Explanation:
Neurons coding a particular movement reduce their responses with time of exposure to a constantly moving stimulus; this is neural adaptation. Neural adaptation also reduces the spontaneous, baseline activity of these same neurons when responding to a stationary stimulus. One theory is that perception of stationary objects, for example rocks beside a waterfall, is coded as the balance among the baseline responses of neurons coding all possible directions of motion. Neural adaptation of neurons stimulated by downwards movement reduces their baseline activity, tilting the balance in favor of upwards movement.

GARDEN OF FERNAL DELIGHTS

Schedule of events for the Garden of Fernal Delights posted on the official D&D website
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Exhibition "Innenwelten" -  Jolanda Richter

8/4/2015

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Post by Otto Rapp

Ausstellung "Innenwelten" mit Gemälden und Grafiken von Jolanda Richter

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Einladung zur Ausstellung "Innenwelten" 
mit Gemälden und Grafiken von Jolanda Richter (AT) 

Liebe Freunde, Gäste und Besucher des Kunst- und Kulturvereins callas-bremen e.V.! 
Jolanda Richter gilt als eine der profiliertesten figuralen Malerinnen Österreichs.
Zur Vernissage der Austtellung "Innenwelten" am 11. April 2015 um 20.00 Uhr laden wir Sie herzlich ein.
Wir würden uns sehr freuen, mit Ihnen einen schönen Abend verbringen zu dürfen.
Bringen Sie zu dieser Ausstellung gern Ihre Freunde mit, Sie sind herzlich willkommen!
JOLANDA RICHTER pdf DOWNLOAD
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Einfach Phantastisch - Barockschloss Riegersburg

7/4/2015

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Post by Otto Rapp

Exhibition "Einfach Phantastisch" 
at the Barockschloss Riegersburg
A-2092 Riegersburg 1
Österreich / Austria 
April 29th to November 15th 2015

Exhibition
Ernst Fuchs bei der Arbeit / Foto Nikolaus Neureiter
Ernst Fuchs bei der Arbeit / Foto Nikolaus Neureiter
Arik Brauer Die letzte Habe Öl auf acrylgrundiertem Papier 1970 57 x 82,5cm
Arik Brauer Die letzte Habe Öl auf acrylgrundiertem Papier 1970 57 x 82,5cm - Leihgabe Sammlung Infeld
Rudolf Hausner, Gelber Narrenhut, Siebdruck, 1974, 82,5 x 68,5
Rudolf Hausner, Gelber Narrenhut, Siebdruck, 1974, 82,5 x 68,5 - Leihgabe Sammlung Infeld
Ernst Fuchs, Grüner Malach, Mischtechnik (Eitempera, Harzöllasur auf Hartfaserplatte) 1961-1963 63,8 x 48cm
Ernst Fuchs, Grüner Malach, Mischtechnik 1961-1963 63,8 x 48cm - Leihgabe Sammlung Infeld
Several works in this exhibition are on loan from the SAMMLUNG INFELD

Area map of the Barockschloß Riegersburg, A-2092 Riegersburg 1, Österreich / Austria 
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